Petr Kotik chamber opera, Master-Pieces (2014-2015) will receive its first staged performance in the U.S. at Bohemian National Hall (NYC) on Saturday, April 28, 2018 (8:30 pm). The 70-minute work was commissioned by the new opera festival NODO (Czech...
Ostravská banda has been invited to perform a concert at Bridges Festival in Wiener Kozerthaus:
“BRIDGES” FESTIVAL Konzerthaus Wien, Berio-Saal Saturday | April 14, 2018 | 20:30&nbs...
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DOX Centre for Contemporary Art – DOX+ multifunctional hall Saturday, April 7, 2018 at 19:00
Prague Radio Symphony Orchestra Conrad Harris, Violin (New York) Daan Vandewal...
MaerzMusik The Long Now
Morton Feldman - For Philip Guston
Sun. March 25, 2018 11:30 AM - 4:30 PM S.E.M. Ensemble Flutes (Petr Kotik); Percussion (Chris Nappi); Piano & Celeste (Joseph Kubera)
Check out the latest review in The New York Times:
Chech out the newest review about Ostrava Days 2017: All About Jazz by Martin Longley: https://www.allaboutjazz.com/ostrava-days-2017-roscoe-mitchell-by-martin-longley.php?page=1 ...
Positionen Texte zur aktuellen Musik Berlin, Germany https://www.positionen.net/ November 14, 2017
Ostrava Days 2017: Contemplations by Jim Igor Kallenberg
For anyone who is used to the unified mélange of New Mu...
We would like to invite you to the concert, which is organized by Atrium, Žižkov
Wednesday, November 1, 19:00 Čajkovského 12, Praha 3 – Žižkov http://www.atriumzizkov.cz/
Performers: Flute: Petr Kotík ...
During its sixteen years on the scene, the Ostrava Days biennial has carved out a position as an exclusive space for the presentation of contemporary music which far surpasses the borders of the Czech Republic. >>>
Boris Klepal ...
Text by George Grella
Ostrava Center for New Music (OCNM) was founded in 2000 thanks to the initiative of Petr Kotík. A series of concerts with the Janáček Philharmonic Orchestra—where pieces by Earl Brown, John Cage, Alvin Lucier, Pauline Oliveros, Martin Smolka, and Karlheinz Stockhausen were played—prompted the idea of creating a special independent organization for new music.
OCNM was created for the purpose of organizing the biennial Ostrava Days Institute and Festival, a three-week-long summer project for composers, musicians, and musicologists from all over the world. Ostrava Days is a working and learning environment focused on orchestral compositions and audience with interest in contemporary art. During even years, OCNM organizes NODO/New Opera Days Ostrava. OCNM also organizes occasional one-off events of extraordinary musical significance.