Press reviews

The NYC Jazz Record: Roscoe Mitchell's CD review

1.4.2020

Conductor/composer Petr Kotik is a living link to an important part of New York’s musical history not so distant as it would seem. His association with the “New York School” of Earle Brown, Morton Feldman, Christian Wolff and John Cage began with his producing the latter’s first concert in his nativ... View Article

The New York Times: Experimental and Luminous (CD review)

26.3.2020

The saxophonist and composer Roscoe Mitchell is best known as a founding member of the Art Ensemble of Chicago. But even when operating outside that pan-stylistic group, his approach contains multitudes. When I reviewed Mitchell’s concerts at the Park Avenue Armory in 2019, I marveled at his solo-sa... View Article

Brooklyn Rail: Chaya Czernowin with Ondrej Vesely

6.3.2020

In the March issue of Brooklyn Rail, an interview with Chaya Czernowin was released. Contucted by Ondrej Vesely, the interview took place in Ostrava during last August at the 10th biennial of Ostrava Days Festival where Czernowin participated also as one of the Institute's lectors.Czernowin also des... View Article

All About Jazz: Ostrava Days 2019

17.1.2020

 "The biennial Ostrava Days festival rolled around again, and there's nothing quite like a once-every-two-years event to make time appear to flow even faster than normal. As a moderne composition festival, it is difficult to accurately fix its stylistic placement, although there are returning concer... View Article

Czech Music Quarterly: Notes on the premiere of Thy Kingdom Come

4.7.2018

Alois Hába the VisionaryNotes on the premiere of Thy Kingdom ComeVlasta Reittererová We bring this text on the occasion of the world premiere of Thy Kingdom Come, an opera by Czech composer Alois Hába (1893–1973), composed using microtones (i.e. intervals smaller than those found on a piano), speci... View Article

All About Jazz: Ostrava Days 2017

23.11.2017

A newer breed of industrially-attuned tourism is evident in the city of Ostrava, in the north-east of the Czech Republic, and very close to Poland border. One of its biggest attractions is the relatively recently retired coal mining and blast furnace complex, which unusually combined the entire digg... View Article

Positionen: Ostrava Days 2017: Contemplations

14.11.2017

PositionenTexte zur aktuellen MusikBerlin, Germanyhttps://www.positionen.net/November 14, 2017 Ostrava Days 2017: Contemplationsby Jim Igor Kallenberg For anyone who is used to the unified mélange of New Music that is presented in Donaueschingen, Darmstadt, and Berlin, it is a revelation to find o... View Article

Czech Music Quarterly: Ostrava Days 2017

28.10.2017

During its sixteen years on the scene, the Ostrava Days biennial has carved out a position as an exclusive space for the presentation of contemporary music which far surpasses the borders of the Czech Republic.  >>> Boris KlepalCzech Music Quarterly... View Article

Czech Music Quarterly: Ostrava Days 2017

28.10.2017

During its sixteen years on the scene, the Ostrava Days biennial has carved out a position as an exclusive space for the presentation of contemporary music which far surpasses the borders of the Czech Republic.  >>> Boris KlepalCzech Music Quarterly... View Article

The Brooklyn Rail: What Are They To You?

6.10.2017

For every culture there is a counter, in every niche there are yet further discrete splinters, internal disputes that boil down to who has the purest values. Then there are the rare instances of individuals who are cultures solely of themselves, who are sympathetic to this group or that, but who ult... View Article

The Brooklyn Rail: Marc Sabat with Ondrej VEsely

5.10.2017

Marc Sabat (born 1965) is a Canadian composer of Ukrainian descent living in Berlin since 1999. He is a pioneer in the field of contemporary just intonation music. Together with Wolfgang von Schweinitz he has also developed the Extended Helmholtz-Ellis JI Pitch Notation system. I first got to know S... View Article

Amadeus: Ostrava Days: la musica contemporanea diventa comunità

27.9.2017

A cosa serve un festival di musica contemporanea? Dovrebbe muovere l’interesse del pubblico, ma anche la viva curiosità degli “addetti ai lavori”, compositori, musicisti, organizzatori, direttori artistici. Essere un’occasione per scoprire nuovi linguaggi musicali, tendenze diverse, ma anche alcuni... View Article

In two weeks’ time, Ostrava Days will turn the North-Moravian metropolis into an epicentre of new and experimental music

14.8.2017

Ostrava, August …, 2017 – Ostrava is an important cultural hub, especially well-regarded in the musical world, and Ostrava Days, since the inception of the festival in 2001, has been a major factor behind this reputation. Ostrava Center for New Music, led by Petr Kotík, composer and indefatigable ch... View Article

Space & Sound, Ostrava in Prague

16.12.2016

Check out the newest review about Space & Sound project for Czech music Quarterly by Matěj Kratochvíl. Page 1Page 2Page 3... View Article

BACHTRACK: NODO MARCHES ON WITH DOUBLE BILL OF CÍGLER AND AYRES

30.7.2016

The third night of New Opera Days Ostrava was the lengthiest and most formal night of the festival, taking place in the Antonín Dvořák Theatre and consisting of a double bill of two hour-long operas. Petr Cíglers Protracted Sinuous Movement of a Longitudinal Object, a NODO commission, was presented ... View Article

Bachtrack: NODO winds down with phenomenal Oresteia

2.7.2016

During the second scene of Oresteia, baritone Holger Falk vacillated wildly between his deep, low range and a higher falsetto, flinging his voice to the edges of human possibility in his portrayal of Kassandra who, in spurning the Greek god Apollo, has acquired the gift of fortune-telling simultaneo... View Article

BACHTRACK: AMBITIOUS WORLD PREMIÈRE OF AT THE WATERS OF LETHE IN OSTRAVA

29.6.2016

The first night having taken place on the outskirts of town in the Coal Mine Bathrooms, I was curious as to where Id land on the second night of New Opera Days Ostrava. This time I found myself at Cooltour, a more conventional theater above a coffeeshop/bookstore complete with outdoor patio from whi... View Article

BACHTRACK: AMBITIOUS WORLD PREMIÈRE OF AT THE WATERS OF LETHE IN OSTRAVA

29.6.2016

The first night having taken place on the outskirts of town in the Coal Mine Bathrooms, I was curious as to where Id land on the second night of New Opera Days Ostrava. This time I found myself at Cooltour, a more conventional theater above a coffeeshop/bookstore complete with outdoor patio from whi... View Article

The New York Times: Celebrating the Birthday of an Avant-Garde Hotbed

13.5.2016

If you were an avant-garde composer about a half-century ago, the answer to the question of where you’d spent your summer vacation was, more likely than not, unassuming Darmstadt, Germany. Established in 1946 in that small city near Frankfurt was a warm-weather music course that proved peerlessly in... View Article

New York Classical Review: Darmstadt Institute goes back to the future, brilliantly

12.5.2016

Darmstadt Institute New York exists to bring to the city new performances of all the old favorites from the original Darmstadt International Summer Course for New Music. The latter is still extent, in its 70th year—the local version is a relative grandchild, 59 years behind. The Darmstadt course is... View Article

The Guardian: Roscoe Mitchell played with startling precision

10.5.2016

The SEM Ensemble has always held a missionary zeal for contemporary programming. That was the case when composer-conductor Petr Kotik founded the group and led its initial performances of works by John Cage and Cornelius Cardew in the 1970s. And this crew is still ahead of the curve – as they demons... View Article

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