Ostrava 2015 Ostrava
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Ostrava Days is a three-week long institute, which culminates in a 7-day festival.  It is a working environment with a focus on compositions for orchestra. With two resident orchestras - the 95-piece Janáček Philharmonic Orchestra and Ostravská banda - as well as a score of chamber ensembles, conductors, soloists and 35-piece choir Canticum Ostrava, it is one of the largest events of its kind in the world. It is organized biennially and since its inception in 2001, it has made a significant contribution to the music of today.

Ostrava Days Institute is an international working environment. For three weeks, a group of 35 resident students, composers, performers, and musicologists work with notable personalities in the field of new and contemporary music. The Institute, consisting of seminars, workshops, presentations, discussions and individual meetings, is mainly focused on works for orchestra. The working language is English and virtually all communication among participants is in English. Ostrava Days is not a school where one teaches various disciplines. Our assumption is that art cannot be taught, but that one nevertheless learns by working in association with more-experienced colleagues. Morton Feldman’s understanding of orchestration resulted from a discussion with Edgard Varèse on the streets of New York. John Cage maintained that he learned most while playing chess with Henry Cowell and Marcel Duchamp. Ostrava Days attempts to create a similarly open, "educational" environment, where participants work together and are mutually influenced.

Ostrava Days Festival unfolds during the last week of the Institute and includes 15 concerts, seven of which are with Janáček Philharmonic Orchestra and Ostravská banda. The programming of the festival is independent of mainstream festival programs and has included major works by Christian Wolff,  Alvin Lucier, Petr Kotík, Martin Smolka, Phill Niblock, Elliott Sharp, Bernhard Lang, Rebecca Sauders, Kaija Saariaho, among others. Classics of new music are also often presented. They include works by Morton Feldman, John Cage, Earle Brown, Luigi Nono, Iannis Xenakis, Karlheinz Stockhausen, György Ligeti, Edgard Varèse or Galina Ustwolskaja, among others. The program of the festival also includes substantial number of works by resident-students of the Ostrava Days Institute.

Petr Kotík Introduction: I have often been asked about the difference between Ostrava Days and similar summer music programs held elsewhere. There are many ways in which Ostrava Days differs and I would like to mention four of them: independence from the music establishment, a duration of 3 weeks, a focus on working with large orchestra and a link with Ostrava Days Festival, already well established on the Czech music scene. Institutional independence makes it possible for Ostrava Days t ...
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30.06.2010

Concert with Janáček Philharmonic on September 3, 2010

 

Lead by Petr Kotík, the Janáček Philharmonic Orchestra will perform a special concert on September 3, 2010 at 7pm in Philharmonic Hall (Dům kultury města Ostravy).

08.06.2010Ostravská banda Shined at Archa Theatre!
The closing event of the project Ostrava in Prague, the Ostravská banda concert Sunday, June 6 was excellent. The Ostravská banda, meeting for the second time of 2010 (the first time in January for the musicadhoy festival in Madrid) gave a stunning performance.
01.06.2010NEW DOUBLE-CD WITH LIVE RECORDINGS OF OSTRAVA DAYS 2009!!!
Ostrava Center for New Music has just released a doubleCD with eight live recordings of Ostrava Days 2009.
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