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Responces of Ostrava Days 2011 Participants



Ostrava Days is a three-week long institute, which culminates into a 7-day festival. It is a working environment with a focus on compositions for orchestra. With two resident orchestras - the 95-piece Janáček Philharmonic Orchestra and Ostravská banda - as well as a score of chamber ensembles, conductors, soloists and 35-piece choir Canticum Ostrava, it is one of the largest events of its kind in the world. It is organized biennially and since its inception in 2001, it has made a significant contribution to the music of today. 

   
Ostrava Days Audience

Ostrava Days INSTITUTE is an international working environment. In 2011, for three weeks, a group of 28 resident students, composers, performers, and musicologists worked with notable personalities in the field of new and contemporary music.
The Institute, consisting of seminars, workshops, presentations, discussions and individual meetings, is mainly (but not only) focused on works for orchestra. The working language is English and virtually all communication among participants is in English.

Ostrava Days is not a school where one teaches various disciplines. Our assumption is that art cannot be taught, but that one nevertheless learns by working in association with more-experienced colleagues.
Morton Feldman’s understanding of orchestration resulted from a discussion with Edgard Varèse on the streets of New York.
John Cage maintained that he learned most while playing chess with Henry Cowell and Marcel Duchamp.
Ostrava Days attempts to create a similarly open, "educational" environment, where participants work together and are mutually influenced.

 

Ostrava Days FESTIVAL unfolds during the last week of the Institute and this year included 19 concerts, eight of which with Janáček Philharmonic Orchestra and Ostravská banda.
The programming of the festival is independent of mainstream festival programs and has included major works by Christian Wolff, Petr Kotík, Martin Smolka, Phill Niblock, Elliott Sharp, Bernhard Lang, Larry Polansky, Rolf Riehm, Wolfgang Rihm, among others. Classics of new music are also often presented. They include works by Morton Feldman, John Cage, Karlheinz Stockhausen, Iannis Xenakis, György Ligeti, Edgard Varèse or Galina Ustwolskaja, among others.
The program of the festival also includes substantial number of works by resident-students of the Ostrava Days Institute.

 

Petr Kotík (Artistic Direstor): "I have often been asked about the difference between Ostrava Days and similar summer music programs held elsewhere. There are many ways in which Ostrava Days differs and I would like to mention four of them: independence from the music establishment, a duration of 3 weeks, a focus on working with large orchestra and a link with Ostrava Days Festival, already well established on the Czech music scene. Institutional independence makes it possible for Ostrav ...
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